Students will be exposed to many different forms and genres of film, including classic Hollywood cinema, but also documentary, independent, and experimental film along with the rich traditions of world cinema. FLM 388 Video JournalismAs journalism evolves, more media outlets rely on documentary principles to convey their message: strong, character-driven stories; compelling visuals; dynamic sound-image relationships. Students will explore the art of editing through hands-on exercises using Adobe Premiere Pro. Film Studies; Allentown, United States; Advertisement. Reads . In addition to screening and exploring some of the best such films produced over the course of 50 years, this course attends closely to the struggle of some of the more successful independent filmmakers (and actors) to maintain their commitment to alternative practices in the face of the seductions of Hollywood, on the one hand, and formal conventions fostered by organizations like the Sundance Film Festival & … Spearheaded by a group of young directors who also wrote their own screenplays (Truffaut, Godard, Malle, Chabrol, Resnais, among others), this movement gave rise to "Le cinema d’auteur" as an innovative and influential way to produce films. Muhlenberg College. COM 346 Exploratory Cinema  Examines the origin and growth of "avant-garde" cinema. Screenings will include Happy Together, by acclaimed Chinese filmmaker Wong Kar-Wai, Fire, a lesbian love story by the Indian-Canadian director Deepa Mehta, French filmmaker Céline Sciamma’s coming-of-age tale featuring a gender non-conforming protagonist, Tomboy, and many more. Through their research-production projects, students learn to work with more advanced visual and organizational concepts and tools. Though a close analysis of these films, the student will gain an understanding and appreciation of cinematic techniques as well as the cultural, social and political background which shaped these works. Analytical viewing assignments from each of the genres explored will be required. Assistant Professor:  Bazaz. Attendance at weekly screenings is required.Prerequisite(s): FLM 201 - Film History I: 1895-1950 or permission of the instructor.Meets general academic requirement HU (and W when offered as 202). Dining, Health, Residential, and Disability Services work in tandem to meet the needs of our students who require accommodations. The course proceeds chronologically from 1915 through the present. Students should start conceptualizing their ideas well in advance of the start of the semester. Muhlenberg College, Allentown. The Wescoe School of Muhlenberg College features â ¦ The College is located in Allentown, Pennsylvania, approximately 55 miles north of Philadelphia and 90 miles west of New York City. FLM 348 Cinema’s Altered States From the avant-garde to Hollywood blockbusters like The Matrix and Inception, the cinema provides a fertile ground for playing at the edge of narrative, and for testing credibility by constructing alternate logic. ), Kelly Reichardt (Wendy & Lucy), and Richard Linklater (Waking Life). While the filmmakers under consideration vary, the course deals with similar questions each time: the validity of the auteur theory as a way of understanding film, the relationships between filmmakers and their art, and the nature of our ideas about art and artistic production. Through close engagement with theoretical readings and film texts, we’ll consider questions like what constitutes queerness, how does the definition shift accross cultural contexts, and is there a queer aesthetic? The program’s goal is for all students of the discipline to extend the range and quality of their viewing experiences and to become better informed interpreters of the ways in which film both shapes and represents the world around them. Approximately 85% of faculty have a Ph.D or other terminal degree in their respective fields. Professors:  Birgel, Cartelli, Coppa, McEwan, Tafler THR 355 On-Camera Acting This upper-level acting course is designed to introduce students to the skills required to work effectively on camera. Required Monday evening screenings. NACHRICHTEN TERMINE Thema Mühlen Wissenswertes, Image-Film + Videos. In order to provide students with a grounding in the film cultures in question, the course will also explore literary works and the commercial, social, and political conditions that inform film production, distribution, and reception. ©  Muhlenberg College 2400 Chew St.  Allentown, PA 18104   484-664-3100. The student-run Muhlenberg Film Association screens two films a semester for the campus community, often outdoors on the College Green. Film Studies. ENG 238, 239 Plays on Film "Plays on Film" is a study of the (all too few) successful films made from stage plays, approached in the context of why adaptations of plays to film typically don't, in fact, work. The emphasis is on narrative films, with some attention to experimental films. Contact. Faculty regularly arrange special screenings, often accompanied by visiting filmmakers. Majors & Fields of Study at Muhlenberg College. COM 240 Introduction to Film Analysis  Introduces different strategies and different approaches for analyzing film and video texts including: formal, narrative, semiotic, psychoanalytic, social/cultural, and feminist. How, for example, can an edit align with and accentuate the dynamics of a scripted scene? Open to students at all levels. Attendance at weekly screenings is required.Meets general academic requirement HU. Attendance at weekly screenings is required. Das College befindet sich in Allentown, Pennsylvania und beschäftigt fast 200 Vollzeit-Kräfte. FLM 389 Writing The TV Spec ScriptWriters seeking work in the television industry generally complete a "spec script," a complete script for an episode of a program that already exists. FLM 334 Bollywood: Indian Popular Cinema India’s Bombay/Mumbai-based cinema is one of the world’s few challenges to the influence of American film. Meets general academic requirement DE. Program Director:  Dr. Amy Corbin, Associate Professor of Media & Communication and Film Studies FLM 281 Indiewood, USAThis course explores the movement to develop and sustain a low-budget, risk-taking, reality-based strain of independent film production in America as an alternative to the dominance of commercially-driven Hollywood product and production standards. Attendance at weekly screenings is required.Prerequisite(s): FLM 202, 204 Film History II: 1950-Present and senior film studies major or permission of the instructor.Meets general academic requirement W. FLM 970 Film Studies Independent Study/Research Independent study may be enrolled in any academic department with approval of the advisor and should provide an opportunity to undertake an in-depth examination of some facet of film studies literature and research findings. Attendance at weekly screenings is required. Like Tarantino, we will watch films closely and analyze their themes and structures. Muhlenberg has an active film culture both on and off-campus. Pre-requisite: COM 251 Intro to Moviemaking, or permission of instructor. FLM 325 French New Wave Cinema This course explores the very rich period in French Cinema during the 1950s and 1960s that is known as the French New Wave (La Nouvelle Vague). Applying theoretical and practical frameworks, we will consider pacing, rhythm, sequencing, continuity, sound, color and other elements in an editor's arsenal, to explore the many ways that editing contributes to story and concept development. Publications 12. The production component of the curriculum gives every student the opportunity for hands-on experience in filmmaking and allows motivated students to pursue additional work in screenwriting, acting and directing, and advanced video production. The Film Studies Department at Muhlenberg College on Academia.edu FLM 229 Travel and Cultural Encounters in Film This course looks at narrative and experimental films that thematize the act of travel as a trigger for cultural encounters, which often result in conflicts, power differentials, and individual senses of displacement or disorientation. Maps & Directions; Accessibility; Library; Title IX; Conference & Event Services; A-Z Index; Social  Facebook  Instagram  Twitter  YouTube  LinkedIn © 2019 Muhlenberg College. As with all writing courses in film studies or the creative writing minor, this course aims to develop students’ creative voices in ways that are applicable to all kinds of writing. In addition to studying a canon of plays and films, this course will also engage (and contrast) textual, performance-based, and image-based methodologies, and students will be asked to demonstrate proficiency in all three theoretical approaches. Students should start conceptualizing their ideas well in advance of the start of the semester. Students will develop an understanding of the grammar, vocabulary, and conventions of film and video production, and the factors that shape viewers’ reception.Meets general academic requirement HU. Students present ongoing work and final projects in either an online or broadcast venue. About. FLM 336 African American Cinema This course surveys African American filmmaking from the silent ear to the present, along with a few films that represent the broader African Diaspora. ENG 263, 264 Postwar British Theatre and Film This course explores what has been called the "second renaissance" of British drama -  "the new drama" of 1956 and after - and the parallel British New Wave of cinema. Muhlenberg College is a private liberal arts college affiliated to the Evangelical Lutheran Church. This course will also count as an elective in the Media & Communication major and in the new Documentary Storymaking Minor. Prerequisite(s):COM 251 Introduction to Moviemaking recommended. Students explore the convergence of video and digital media while studying the problems of constructing narrative and documentary texts within emerging experimental formats. Writers will comment on each other’s work in a workshop setting. Using material drawn from the professional world, students will work in a variety of on-camera genres. FLM 330 New Asian Cinemas  This course will selectively explore the national cinemas of Japan, China, Taiwan, India, and Korea. FLM 387 Art of Video EditingWhile editing was historically seen as merely a nuts-and-bolts technical pursuit, it has increasingly proven indispensable to the artistic process. The minor in Film Studies consists of 6 courses, at least 2 of which must be at the 300 level or above. The course also considers as a sub-theme the “road movie” in American culture and what it says about the relationship of dominant American culture to the land and the indigenous inhabitants. 12. This course also surveys new East Asian cinema – for example, Wong Kar-wai’s In the Mood for Love (Hong Kong/China) Hou Hsiao-hsien’s City of Sadness (China), Edward Yang’s Yi Yi (Taiwan), Im Kwon Taek’s Chunhyang, and Takeshi Kitano’s Fireworks (Japan) – and one or two films from India (Mira Nair’s Salaam Bombay and a selected Bollywood extravaganza.) Contact. Disclaimer: It is presumed that all students enrolled in this film studies course are familiar with Tarantino’s films. We will consider the role of popular film in the development of Indian nationhood, its influence on notions of gender and caste, and its function as a binding influence on the Indian Diaspora. FLM 382 Global Queer CinemaThis course introduces students to a range of contemporary queer cinema from across the globe as well as key questions in queer film studies. COM 367 Studio Workshop in Television & Film Beginning with a survey of the promise and demands, historical, economic, and political circumstances surrounding community television, this course broadens students' exposure to television formats beyond mainstream commercial media. Meets general academic requirement HU and DE. Both film studies and production tracks culminate in a senior experience course. COM 467 CUE: Advanced Video ProductionStudents explore the convergence of video and digital media while studying the problems of constructing narrative and documentary texts within emerging experimental formats. Tarantino was largely an autodidact who learned his craft watching films while working in a video store. This course explores the phenomenon of film experience within the experience of film’s poetic manipulation of “reality”. Attendance at weekly screenings is required.Meets general academic requirement DE. Filmmakers and films we study will be drawn from a list that includes John Cassavetes (Shadows), Martin Scorsese (Mean Streets), Terence Malick (Badlands), Charles Burnett (Killer of Sheep), Jim Jarmusch (Stranger than Paradise), Joyce Chopra (Smooth Talk), John Sayles (Lianna), Whit Stillman (Last Days of Disco), Steven Soderbergh (sex, lies & videotape), Abel Ferrara (Bad Lieutenant ), David Lynch (Blue Velvet), Sadie Benning (It Wasn’t Love), Gus van Sant (My Own Private Idaho), Julian Schnabel (Basquiat), Kimberley Peirce (Boys Don’t Cry), Larry Clarke (Kids), Hal Hartley (Trust), Michael Cuesta (L.I.E. Meets general academic requirement HU (and W when offered as 264). Genres that may be taught include commercials, daytime, primetime (sitcom and drama), and film. The course will attend closely to the variety of decisions that inform the translation of literary works into a different medium with different conventions for a different audience.Meets general academic requirement HU. FLM 288 Directing/Performance FilmThis is an introductory-level course in directing and acting for camera, focusing on philosophies of screen acting, the ability to work within the technical requirements of screen media, and the development of productive and respectful working relationships on set. Numerous theoretical approaches will be used to study the rise and fall of the Western’s popularity, its role in shaping popular myths about the United States, and its representation of masculine identity. Henry Ernest Muhlenberg (1753–1815), born in Trappe, PA, studied, like his ... (Courtesy of Franklin & Marshall College and the Permanent Collections of the Phillips Museum of Art, Lancaster, PA) Frederick Augustus Conrad Muhlenberg (1750–1801) was born in Trappe, PA and educated there. FLM 360 Major Filmmakers This course focuses on one or two major filmmakers and considers repeated and/or developing themes in his or her body of work. 358. Search. Attendance at weekly screenings is required.Meets general academic requirement DE and HU. Legal and ethical issues involved in media production are considered. Attendance at weekly screenings is required.Meets general academic requirement HU. ENG 321 Shakespeare Reproduced  This course primarily focuses on the reproduction of Shakespeare's plays on film and, to a lesser extent, the appropriation of Shakespeare's plays by modern playwrights. GRM 316, 317 German Cinema A survey of German films from The Cabinet of Dr. Caligari to Contemporary works with special emphasis on the Golden Age of Weimar cinema and the so-called New German Cinema (Fassbinder, Herzog, Wenders, Sanders-Brahms and less well known directors.) We will begin by examining the cultural and social influences leading up to the "annus mirabilis" of 1956. List of Muhlenberg College majors by size and degree. No more than 4 courses from any single department or major (other than FLM) can count toward the film major. Open to all students at all levels. Films explored in this course will likely include Bad Education (Spain), Amores Perros (Mexico), Code Unknown (Austria/France), Chunkging Express (Hong Kong/China), The World (China), A Separation (Iran), Once Upon a Time in Anatolia (Turkey), The Best of Youth (Italy), Waltz with Bashir (Israel), The Class (France), and District 9 (South Africa), among others. FLM 227 Melodrama “Melodrama” does not just mean exaggerated emotion; it is a form of popular storytelling that puts its characters in dramatic situations in which the stakes are nothing less than the victory of good over evil. Attendance at weekly screenings required.Meets general academic requirement HU. We will focus on Reservoir Dogs, Pulp Fiction, Jackie Brown, the two-part Kill Bill, Inglourious Basterds, and Django Unchained as well as some of the many disparate films that influenced him. Students will learn how to work with cameras, audio-recording equipment, and post-production facilities.Meets general academic requirement AR. Created during the 1940s and 50s, many by Jewish émigrés from Central Europe, film noir is usually considered a combination of German Expressionist cinematic style and the American hard-boiled detective story. Course readings will consist of one novel by Elmore Leonard, two screenplays by Tarantino, as well as secondary literature on Tarantino and postmodern popular culture. The electives can come from any of the courses in the categories “Production”, “National and Regional Cinemas” and “Genres, Forms, and Movements” or from the following courses: FLM 202, 204 - Film History II: 1950-Present, COM 367 - Studio Workshop in Television & Film, ENG 364 - Advanced Screenwriting Workshop, ENG 263, 264 - Postwar British Theatre & Film, FLM 332 - Film Cultures of North Africa & the Middle East, FLM 334 - Bollywood: Indian Popular Cinema, FLM 229 - Travel & Cultural Encounters in Film, FLM 970 - Film Studies Independent Study/Research, Print Degree Planner (opens a new window), The Wescoe School of Continuing Education, Acalog™ Academic Catalog Management System™ (ACMS™). The overlapping Film Studies, Media & Communication, and Documentary Storymaking programs at Muhlenberg have 16 full-time faculty, making us the largest liberal arts film and media programs in the United States – with more extensive offerings than many large universities. Pre-requisite: COM 351, Video Production. Provides hands-on experience beginning with the development of a professional project, treatment, script, and storyboard. Director of Film Studies Associate Professor of Film Studies and Media & Communication B.A., College of William and Mary M.A., University of California, Berkeley Ph. Films are likely to include Billy Liar, The Loneliness of the Long Distance Runner, Alfie, Tom Jones, The Servant, The Knack and How To Get It, and A Hard Day's Night. American Studies at Muhlenberg offers students the opportunity to study the culture and history of the United States from an interdisciplinary perspective. Trexler Library has many online resources available through the library website. Students will create an online archive of all finished work, and learn about ways to develop and market their own critical voice. Contact information and tips for finding online resources can be found on theAccessing Online Resourcespage. We will also consider how these topics are illus trated throughmelodrama’s aesthetics, such as music, dramatic editing, and symbolic use of setting. Special attention will be paid throughout to contemporary developments in film style, evolving cultures of film taste and reception, and film art as cultural expression. Conceiving, coordinating, shooting, and editing the project, production teams will encounter real-time pressure and problem-solving situations.Required lab.Prerequisite(s):COM 251 - Introduction to Moviemaking. From other films we will only have time to watch excerpts, and you will probably be required to watch two or three films outside of class—more details regarding out-of-class screenings will follow. Tempelhof-Schöneberg (Rights reserved) Issue 2018 (Rights reserved) Faculty Studies; Information Literacy & Instructional Support; Library Committee; Library Liaisons; Open Access ; Place an Item on Reserve; Suggest a Purchase; Special Collections. COM 251 Introduction to Moviemaking Introduces basic concepts of time-based visual media with an emphasis on the perception and experience of moving images, kinesics, and the structure and aesthetics of cinematic language. 4.65. Muhlenberg College ist ein US-amerikanisches Privat-College, das 1848 gegründet wurde. It focuses on films that are often classified as “women’s films” and “social problem films,” but also includes films that could be classified as action films or “men’s melodramas”― and so there will be a lot of discussion about issues of gender and race. Attendance at weekly screenings is required.Meets general academic requirement DE. Special Collections & Archives; Muhlenberg College Digital Repository; Student Honors Theses; Library Home; Library Technology; Film Screenings; Film Screenings Class Movie Screenings: B-02. Attendance at weekly film screenings is requiredMeets general academic requirement DE and HU. When films provide the rules of their own reality, spectators and their surrogate characters grope for a foothold of understanding and sanity. This course will examine the classic works of the genre within their sociopolitical context and investigate why they were so popular among audiences, why they were able to violate some rules of the Production Code, why certain actors are inextricably linked to the genre, and why neo-noirs are still being made. Film has emerged in the last 100 years as a global phenomenon with broad social, cultural, and commercial implications. Hier lernte Montaigne auch Altgriechisch. Founded in 1848, Muhlenberg College is a highly selective, private, four-year liberal arts school located in the beautiful Lehigh Valley of eastern Pennsylvania. This course will focus on the prominence of melodrama in narrative film, particularly popular American film, to reveal the flexibility of what some scholars argue is more than a genre, but is actually one of the dominant modes of filmmaking from its inception. Film studies is also designed to complement other major and minor programs that students might choose to pursue in art, media and communication, English, music, and theatre arts, among others. These films contain scenes of very graphic violence and vulgar language. Stand: 01.07.2010, 07:52 -- Zahl der Neuerwerbungen: 3436 Prerequisite(s): ENG 226 - Introduction to Screenwriting or permission of instructor. Muhlenberg College aims to develop independent critical thinkers who are intellectually agile, characterized by a zest for reasoned and civil debate, committed to understanding the diversity of the human experience, able to express ideas with clarity and grace, committed to lifelong learning, equipped with ethical and civic values, and prepared for lives of leadership and service. Video journalists in this course will partner with writers in Intro to Long-Form Journalism to research and produce multi-media stories about issues pertinent in the Lehigh Valley. The Student to Faculty Ratio is 11:1 as of 2018. The college was founded as a seminary in 1848 by the Reverend Samuel K Brobst. Taught in English. The challenge is to tell a new story using existing characters without changing any of the fundamentals of the show. Attendance at weekly screenings is required. Students present ongoing work and final projects in either an online or broadcast venue. Publications . Legal and ethical issues involved in media production are considered. We will spend a considerable amount of time thinking about where ideas come from, how we can develop ideas, and the role of creative collaboration in television writing. Topics may include auteur studies, genre or form studies, national or regional film studies, film theory, or explorations of film and popular culture. Network. FLM 250 Contemporary World Cinema This course offers a selective survey of some of the most cutting-edge films produced around the world in the last 10-20 years, including those that offer sustained insight into specific national cultures, and those that are more global in orientation, and address the worldwide mixing and mingling of people and cultures. Students will conceptualize, outline, and write a feature-length screenplay, focusing on story structure, character development, conflict, dialogue, and resolution. If you have trouble accessing resources, see the Off-Campus Access page for help. In this course, students will study and write a spec script for an existing show of their choice. Meets general academic requirement HU (and W when offered as 239). FLM 332 Film Cultures of North Africa & the Middle East  This course will focus on the development of national cinematic traditions in Egypt, on the struggle for cultural self-definition in the former French colonies of Algeria and Tunisia, on cinematic representations of post-revolutionary Iran, and on how Arab and Israeli filmmakers address the so-called “question” of Palestine. This course examines the world’s largest film industry with the aim of understanding the place of popular cinema outside of the Hollywood model. Muhlenburg College. Students will both direct and act in this course, but no previous directing or acting experience is required. Who We Are. COM 351 Video Production Refines an understanding of video/television concepts and operations through the application of advanced production techniques. Gefällt 12.426 Mal. As the course proceeds chronologically, it briefly demonstrates images of African Americans in mainstream Hollywood films, but focuses primarily on how filmmakers of African descent have sought to respond to mainstream representations and create their own narratives and styles. FLM 386 Quentin TarantinoThis course will examine the films directed by Quentin Tarantino, whose fast talking, allegedly super violent films helped to reinvigorate American cinema. Focusing on production tools and skills, class workshops and outside exercises that facilitate becoming comfortable with camera and editing equipment and with the overall production process. In addition to screening and exploring some of the best such films produced over the course of 50 years, this course attends closely to the struggle of some of the more successful independent filmmakers (and actors) to maintain their commitment to alternative practices in the face of the seductions of Hollywood, on the one hand, and formal conventions fostered by organizations like the Sundance Film Festival & Institute on the other. The course provides students an opportunity to explore how to channel ideas into practice by expanding students' established skills (research, writing, scripting, producing, directing, multi-camera and audio strategies, staging and lighting, postproduction). This marvelous collection, gifted to Muhlenberg College in 1991, contains more than 31,000 pieces of American popular music published between 1900-1965. Students will conceptualize, outline, and write a feature-length screenplay, focusing on story structure, character development, conflict, dialogue, and resolution. Meets general academic requirement HU (and W when offered as 317). Although the course concentrates on recent, it will also attend to seminal movements in the development of national cinematic traditions, such as the postwar films of Akira Kurosawa and Yasujiro Ozu in Japan and Satyajit Ray in India. FLM 385 Cinema of New EuropeThis course examines films that emerged in the “new Europe” after the fall of the Berlin wall in 1989, in the wake of the expansion of the European Union in the 1990s, and as a consequence of the mixing and mingling of Eastern and Western Europeans, and of immigrants from Asia, Africa, and the Caribbean, which has radically altered the ethnic composition of most European societies, particularly France. The cultural encounters depicted include those in colonial Africa, India, and the Americas, as well as post-colonial encounters in new relationship configurations such as migration and tourism. Network. At Muhlenberg. The Paul McHale Collection This collection documents the congressional work of Paul McHale (1950-), U.S. Representative for Pennsylvania's 15th district from 1993-1998. Students will write reviews of classic and contemporary films in a variety of lengths and formats, for different intended audiences. National cinematic traditions have developed in virtually every corner of the world, making an understanding of film’s relationship to its conditions of production and reception integral to the work of cultural historians, students of politics and communications, philosophers, and sociologists alike. We will then look the ways these plays helped to revitalize the British cinema of the postwar era, creating a cinematic scene in which the free cinema and "kitchen sink" films of the 1950s gave way to the bold, taboo-breaking movies of the 1960s. A program for Media & Communication and Film Studies majors in Dublin, Ireland, and a Dance program in Arezzo, Italy, are both offered during the spring semester. Students will prepare character profiles, treatments, and at least one screenplay. Selected French New Wave and Asian films, The Killing, Coffy, The White Hell of Piz Palu, and The Good, the Bad, and the Ugly, as well as others will also be examined. Muhlenberg College offers 64 distinct undergraduate degrees, concentrated into 45 majors within 17 broad fields of study. Meets general academic requirement HU. Film Studies and Media & Communication. Plays and films on which we will focus in the next several years include Heiner Muller's "Hamletmachine", Julie Taynor's "Titus", Michael Almereyda's "Hamlet", and Kristian Levring's "The King is Alive".Prerequisite(s): THR 100 Theatre & Society: An Historical Introduction or any 200 level ENG course or permission of instructor.Meets general academic requirement W when offered as 322. Thus, film is a vital subject of intellectual inquiry that is useful to a wide range of students, not merely as vocational training for media professionals. Meets general academic requirement AR. 1 degrees were awarded at the associate level (2-Year). FLM 380 Pre-Production Plan/DesignStudents will learn the process of film and videomaking from idea stage to the day before shooting begins. FLM 201 Film History I: 1895-1945 An exploration of the international history of film from its invention through the silent era, the rise of Hollywood, and the development of sound to the end of World War II. 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On-Camera genres global phenomenon with broad social, cultural, and Richard Linklater ( Waking Life ) College majors size... Than 4 courses from any single department or major ( other than flm ) can count toward the major. Flm 225 the Western as the American film the development of a professional project, treatment, script, learn. And market their own critical voice learn about ways to develop and their. Cinemas of Japan, China, Taiwan, India, and at least one screenplay students will learn how work.